That’s the tricky navigation that every composer faces all the time. Have there been moments in your career where a director says “I need this kind of sound” but you’re hearing something else? How do you compromise between the two? If there’s a clear idea of the genre, it’s much harder work to work on something where is set on a certain type of music while at the same time giving it a personal identity of my own. When there’s no clear idea of how it’d sound, that’s when it’s most exciting. When you have a blank page and are given no guidance, isn’t that more difficult than when you have a certain direction to go in? I would think that would make it harder for a composer. I didn’t realize until later how lucky I was for that. When I started out as a film composer doing these films for Tim Burton like Pee-wee’s Big Adventure, Edward Scissorhands, Batman and The Nightmare Before Christmas, all of these films were virtually without a template with absolutely nothing to say as to what type of score it should be. I was so excited because it was completely obvious to me that it was one of those projects that come along every now and then where there’s no genre to indicate what type of music it should be. The first thing I did was read the script, and then I read the book. So Noah is a smart and interesting filmmaker, and adapting White Noise sounded like a hard, interesting project that I’d love to see how he’d tackle. Frequently when I say yes to a project it’s about the filmmaker if it’s one I admire, I’m happy and excited to even find out what it is they’re working on. What made you say yes to collaborating with Noah on this project, and what makes you say yes to prospective projects in general?įirst off, it was like “Can Noah Baumbach call you? He’s interested in talking about his new film.” So automatically, there’s a factor of “yes, I’d love to engage in that conversation,” even if I didn’t know what the movie is. 30, Billboard caught up with Elfman to discuss creating a soundscape for the project with Baumbach’s guidance. 25 theatrical release, followed by its Netflix premiere Dec. If you'd like a person to share, ask them to share themselves on the thread.A piece of Danny Elfman's score from 'WHITE NOISE' performed live at #NetflixPlaylist /5R87ukCaj0- DiscussingFilm November 8, 2022Īhead of White Noise‘s Nov. No Screenshots of PMs, Other Threads, or others' posts. Please post memes in r/misophoniasupport. This includes derailing, or topics that are not being discussed in the thread. Rude, offensive, or otherwise distasteful comments/posts (heavy profanity for no reason, bullying, etc.), will be removed. Low quality posts that do not contribute to discussion will be removed. This includes for profit links, self-promo, or otherwise un-useful links. Our goal is to only link to high-quality sources, and moderator discretion will apply to all links. All links are subject to scrutiny from moderators. Do not suggest medications (this is unethical and can harm other sufferers) unless this is in the context of research studies. All posts discussing unverified treatments are subject to removal. If you would like advice on a specific problem, or would like dedicated post to vent on, please visit r/misophoniasupport. Venting should only be done on “weekly venting threads”. No posts linking to “research” that is unethical (not done in a lab, for profit, or otherwise nonviable). No posts “shaming” persons for triggering you. If you are suicidal, please contact a suicide prevention hotline (1-80), or a medical professional. No posts that mention violence, wanting to harm others, or visual images depicting this. If you continue to break these rules, you may be subject to bans. Failure to adhere to them will result in the post being removed. Please be advised of the following rules. Want to chat? Join us on Discord: Subreddit Rules Have an academic study? Here's how to post: Our goal is to facilitate an accurate, ethical, and evidence-based approach to Misophonia research, advocacy, and coping methods.
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